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A refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, by the acclaimed writer Hannah Pittard
Divorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend (a fellow academic) and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town.
One day, Hana learns that an unflattering version of herself will appear prominently―and soon―in her ex-husband’s debut novel. For a week, her life continues largely unaffected by the news―she cooks, runs, teaches, entertains―but the morning after baking mac ’n’ cheese from scratch for her nephew’s sixth birthday, she wakes up changed. The contentment she’s long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat, a visit to the dean’s office, a shadowy figure from the past, a Greek chorus of indignant students whose primary complaints concern Hana’s autofictional narrative, and a game called Dead Body.
Steeped in the subtleties and strangeness of contemporary life, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression for readers of Miranda July’s All Fours and Sigrid Nunez’s The Friend.
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